Following the suicide of his classmate and crush, Hannah
Baker, Clay finds himself reeling but coping with this new absence in school.
Then one day he comes home to find a package on his doorstep with no return
address. The package holds seven tapes labeled on each side with a number up
to the number 13. Mystified, he plays the first tape in the stereo and is
immediately knocked off guard when he hears the voice of Hannah. She explains
that each side represents one of the reasons why she decided to kill herself,
and the people listening to the tapes all have one side dedicated to their
impact on her life. The listeners are instructed to follow her story along with
a map they had each received a few weeks earlier, then mail the tapes to the
next person in the narrative. Captivated by confusion, pain, and intrigue, Clay
follows the instructions, and the map, all over town in the course of one
night. He learns of the disingenuous pretense that hides devastating secrets
for his classmates, and though his understanding of his peers is irreversibly
altered, he also discovers an opportunity to rise above the secrets, rumors, and
assumptions that determine social interactions in his high school.
“Thirteen Reasons Why” by Jay Asher is astonishing,
insightful, and unbelievably original in such a dense young adult genre. Asher
intertwines two narratives, Hannah’s tapes and Clay’s evening adventures, into
one story, leaving just enough information unsaid to build an underlying suspense
as the reader grows more and more invested in the events of Hannah’s life and
death. By incorporating the map as part of the narrative, Asher also creates a sense
of location, belonging, and movement. These are all relevant themes for the
transition from adolescence into young adulthood, and add depth to the story by
bringing in the element of place. The content of the novel itself is highly
charged. Asher discusses suicide, alcohol, sex, and the insidious power of
rumors in high school student life. He skillfully navigates issues of
self-blame, victim blaming, and bystander ambivalence, challenging readers to
confront their own assumptions and beliefs on these topics. Fortunately, Asher
does not strand the reader with these topics and emotions. He offers
resolution, both positive and negative, through the actions of the characters,
and infuses the story with the possibility of redemption.
I found myself both very impressed and very annoyed with
this book. After reading about the inspiration for his novel, an audio tour at
an art museum, the tapes and map felt somewhat contrived. The map especially. I
also felt disgruntled that a male author focused on sexual rumors as the
primary contributing factor for a female character’s decision to kill herself.
BUT. Annoyances aside, I am truly amazed with his presentation of challenging
topics. I frequently had to stop reading to sort through my own reactions to
some of the behaviors and statements from the characters. Incredibly
thought-provoking and well worth the read.
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